Самая Большая Дискография Опції

[KISHECHNIK]

Всегда парился тупым вопросом: какая группа больше всех струганула альбомов? Пока насчитал у Дип Пёрпла 18 штук:
1968-Shades of Deep Purple
1968-The Book of Taliesyn
1969-Deep Purple
1970-In Rock
1971-Fireball
1972-Machine Head
1973-Who do We think We Are!
1974-Burn
1974-Stormbringer
1975-Come Taste The Band
1984-Perfect Strangers
1987-The House of Blue Light
1990-Slaves and Masters
1993-The Battle Rages On...
1996-Purpendicular
1998-Abandon
2003-Bananas
2005-Rapture of the Deep
У Скорпионс 17. Может, у кого-то больше?

[SIHAIA]

Mozart и ни...ет

Каждое эквивалентно альбому!

[edit] Childhood symphonies (1764-1771)
These are the numbered symphonies from Mozart's early childhood. It should be noted that there are also a fair amount of unnumbered symphonies from this time period.

Symphony No. 1 in E-flat major, K. 16
Symphony No. 2 in B-flat major, K. 17 (spurious)
Symphony No. 3 in E-flat major, K. 18 (spurious, by Abel)
Symphony No. 4 in D major, K. 19
Symphony No. 5 in B-flat major, K. 22
Symphony No. 6 in F major, K. 43
Symphony No. 7 in D major, K. 45
Symphony No. 8 in D major, K. 48
Symphony No. 9 in C major, K. 73
Symphony No. 10 in G major, K. 74
Symphony No. 11 in D major, K. 84
Symphony No. 12 in G major, K. 110
Symphony No. 13 in F major, K. 112

[edit] Salzburg-era symphonies (1771-1781)
These symphonies are sometimes subcategorized as "Early" (1771-1773) and "Late" (1773-1775), and sometimes subcategorized as "Germanic" (with minuet) or "Italian" (without minuet). None of these were printed during Mozart's lifetime.

Although not counted as "symphonies" the three Divertimenti K. 136-138, in 3-movement Italian overture style, are sometimes indicated as "Salzburg Symphonies" too.

Symphony No. 14 in A major, K. 114 (1771)
Symphony No. 15 in G major, K. 124 (1772)
Symphony No. 16 in C major, K. 128 (1772)
Symphony No. 17 in G major, K. 129 (1772)
Symphony No. 18 in F major, K. 130 (1772)
Symphony No. 19 in E-flat major, K. 132 (1772)
Symphony No. 20 in D major, K. 133 (1772)
Symphony No. 21 in A major, K. 134 (1772)
Symphony No. 22 in C major, K. 162 (1773)
Symphony No. 23 in D major, K. 181 (1773)
Symphony No. 24 in B-flat major, K. 182 (1773)
Symphony No. 25 in G minor, K. 183 (173d B) (1773)
Symphony No. 26 in E-flat major, K. 184 (1773)
Symphony No. 27 in G major, K. 199 (1773)
Symphony No. 28 in C major, K. 200 (1774)
Symphony No. 29 in A major, K. 201 (1774)
Symphony No. 30 in D major, K. 202 (1774)

[edit] Late symphonies (1781-1791)
Symphony No. 31 "Paris" in D major, K. 297 (K. 300a) (1778)
Symphony No. 32 "Overture in the Italian style" in G major, K. 318 (1779)
Symphony No. 33 in B-flat major, K. 319 (1779)
Symphony No. 34 in C major, K. 338 (1780)
Symphony No. 35 "Haffner" in D major, K. 385 (1782)
Symphony No. 36 "Linz" in C major, K. 425 (1783)
Symphony No. 37 in G major, K. 444 (1783)
For years this was categorized as a Mozart symphony, but later scholarship determined that it was actually composed by Michael Haydn (Symphony No. 25), and Mozart wrote only the slow introduction for it.
Symphony No. 38 "Prague" in D major, K. 504 (1786)
The three final symphonies (Nos. 39-41) were completed in about three months in 1788. It is quite likely that he hoped to publish these three works together as a single opus, although actually they remained unpublished until after his death. One or two of them might have been played in public in Leipzig in 1789.

Symphony No. 39 in E flat major, K. 543 (1788)
Symphony No. 40 in G minor, K. 550 (1788)
Symphony No. 41 "Jupiter" in C major, K. 551 (1788)

[edit] Concertos

[edit] Piano concertos
Main article: Mozart Piano Concertos
Mozart's production for piano and orchestra are numbered from 1 to 27. The first four numbered concertos are early works (Piano Concertos Nos 1-4 (Mozart)). The movements of these concertos are arrangements of keyboard sonatas by various contemporary composers (Raupach, Honauer, Schobert, Eckart, C.P.E. Bach). Concertos 7 and 10 are compositions for three and two pianos respectively. The remaining twenty-one are original compositions for solo piano and orchestra. Among them, fifteen were written in the years from 1782 to 1786, while in the last five years Mozart wrote just two more piano concertos.

Piano Concerto No. 1 in F major, K. 37
Piano Concerto No. 2 in B flat major, K. 39
Piano Concerto No. 3 in D major, K. 40
Piano Concerto No. 4 in G major, K. 41
Piano Concerto No. 5 in D major, K. 175
Piano Concerto No. 6 in B flat major, K. 238
Piano Concerto No. 7 in F major for Three Pianos, K. 242
Piano Concerto No. 8 "Lützow" in C major, K. 246
Piano Concerto No. 9 "Jeunehomme" in E flat major, K. 271
Piano Concerto No. 10 in E flat major for Two Pianos, K. 365
Piano Concerto No. 11 in F major, K. 413/387a
Piano Concerto No. 12 in A major, K. 414/385p
Piano Concerto No. 13 in C major, K. 415/387b
Piano Concerto No. 14 in E flat major, K. 449
Piano Concerto No. 15 in B flat major, K. 450
Piano Concerto No. 16 in D major, K. 451
Piano Concerto No. 17 in G major, K. 453
Piano Concerto No. 18 in B flat major, K. 456
Piano Concerto No. 19 in F major, K. 459
Piano Concerto No. 20 in D minor, K. 466
Piano Concerto No. 21 in C major, K. 467
Piano Concerto No. 22 in E flat major, K. 482
Piano Concerto No. 23 in A major, K. 488
Piano Concerto No. 24 in C minor, K. 491
Piano Concerto No. 25 in C major, K. 503
Piano Concerto No. 26 "Coronation" in D major, K. 537
Piano Concerto No. 27 in B flat major, K. 595

[edit] Violin concertos
Five violin concertos were written in his late teens while he was still touring with his father throughout Europe, an exceptional feat for a traveling composer. Mozart's Violin Concertos are notable for the beauty of their melodies and the skillful use of the expressive and technical characteristics of the instrument, though Mozart probably never went through all the violin possibilities like others (e.g. Beethoven and Brahms) did after him. (Alfred Einstein notes that the violin concerto–like sections in the serenades are more virtuosic than in the works titled Violin Concertos.)

Violin Concerto No. 1 in B flat major, K. 207 (1775)
Violin Concerto No. 2 in D major, K. 211 (1775)
Violin Concerto No. 3 in G major, K. 216 (1775)
Violin Concerto No. 4 in D major, K. 218 (1775)
Violin Concerto No. 5 in A major, K. 219 (1775)
Violin Concerto in E flat major, K. 268 (1780) (Doubtful)
Violin Concerto in D major, K. 271a Kolb (1777) (Doubtful)

[edit] Horn concertos
Arguably the most widely played concertos for horn, the four Horn Concertos are a major part of most professional horn players' repertoire. It is said that Mozart wrote them for his friend and lifelong companion, Joseph Leutgeb. The concertos (especially the fourth) were written as virtuoso vehicles that allow the soloist to show a variety of abilities. (In Mozart's time the horn had no valves making it a very difficult piece.)

The Horn Concertos are characterized by an elegant and humorous dialogue between the soloist and the orchestra. Many of the autographs contain jokes aimed at the dedicatee.

Horn Concerto No. 1 in D major, K. 412 (1791)
Horn Concerto No. 2 in E flat major, K. 417 (1783)
Horn Concerto No. 3 in E flat major, K. 447 (c. 1784-87)
Horn Concerto No. 4 in E flat major, K. 495 (1786)

[edit] Other concertos
Bassoon Concerto in B flat major, K. 191 (1774)
Concerto for Harp, Flute and Orchestra, K. 299 (1778)
Oboe Concerto in C major, K. 314 (has come down to us as the second flute concerto, but was almost certainly an oboe concerto)
Concerto for Clarinet and Orchestra in A major, K. 622 (1791)
Flute Concerto No. 1 in G Major, K. 313 (1778)
Flute Concerto No. 2 in D Major, K. 314 (1778) (An arrangement of the above Oboe Concerto).
Andante for Flute and Orchestra in C Major, K. 315 (1778)
Concerto for Trumpet, K47a (lost)

[edit] Concertante symphonies
Sinfonia Concertante for Violin, Viola and Orchestra K. 364 in E flat major (1779)
Sinfonia Concertante for Oboe, Clarinet, Horn and Bassoon K. 297b in E flat major Anh.9 and later Anh. C 14.01 (1778)

[edit] Piano music
See also: List of solo piano pieces by composer: M
Mozart's earliest composition attempts begin with piano sonatas and other piano pieces, as this is the instrument on which his musical education took place. Almost everything that he wrote for piano was intended to be played by himself (or by his sister, also a proficient piano player). Examples of his earliest works are those found in Nannerl's Music Book. Between 1782 and 1786 he wrote 20 works for piano solo (including sonatas, variations, fantasias, suites, fugues, rondo) and works for piano four hands and two pianos.


[edit] Solo piano works

[edit] Sonatas
Piano Sonata No. 1 in C major, K. 279 (Munich, Summer 1774)
Piano Sonata No. 2 in F major, K. 280 (Munich, Summer 1774)
Piano Sonata No. 3 in B-flat major, K. 281 (Munich, Summer 1774)
Piano Sonata No. 4 in E-flat major, K. 282 (Munich, Summer 1774)
Piano Sonata No. 5 in G major, K. 283 (Munich, Summer 1774)
Piano Sonata No. 6 in D major, K. 284 (Munich, Feb-Mar 1775)
Piano Sonata No. 7 in C major, K. 309 (Mannheim, Nov. 8 1777)
Piano Sonata No. 8 in A minor, K. 310 (Paris, Summer 1778)
Piano Sonata No. 9 in D major, K. 311 (Mannheim, Nov 1777)
Piano Sonata No. 10 in C major, K. 330 (Summer 1778)
Piano Sonata No. 11 "Turkish" in A major, K. 331 (Summer 1778)
Piano Sonata No. 12 in F major, K. 332 (Summer 1778)
Piano Sonata No. 13 in B-flat major, K. 333 (Summer 1778)
Piano Sonata No. 14 in C minor, K. 457 (Vienna, Oct. 14, 1784)
Piano Sonata No. 15 in F Major, K. 533/494 (Vienna, Jan. 3, 1788)
Piano Sonata No. 16 in C Major, K. 545 (so-called facile or semplice sonata; Vienna, Jun. 26, 1788)
Piano Sonata No. 17 in B-flat Major, K. 570 (Vienna, February, 1789)
Piano Sonata No. 18 in D Major K. 576 (Vienna, July 1789)